支援點擊速度、拍號和重音的 BPM 節拍器。
Use the slider, BPM buttons, or Tap Tempo.
Beats per measure and division.
First beat is accented; other beats are softer.
Full practice range.
Click, wood, beep, cowbell, hi-hat.
2/4 through 7/4 with subdivisions.
Pendulum + beat dots.
A metronome trains your internal sense of time. Playing with a metronome over weeks and months improves rhythmic precision more than any other single practice habit. Professional musicians of every genre use metronomes daily. The goal isn't to make music sound robotic: it's to be able to choose to play exactly on the beat or expressively against it. Without metronome practice, your timing fluctuates without intention.
Sheet music traditionally uses Italian tempo terms. Largo (40-60 BPM) is very slow. Adagio (66-76) is slow and stately. Andante (76-108) is walking pace. Moderato (108-120) is moderate. Allegro (120-168) is brisk. Presto (168-200) is very fast. Prestissimo (200+) is the fastest practical tempo. Modern scores often include exact BPM markings instead of or alongside Italian terms (e.g. '♩ = 132'). When both are present, the BPM is authoritative.
If you know a song by feel but don't know its BPM, use Tap Tempo. Tap the button (or any keyboard key when implemented) on each beat of the song. After 4+ taps, the metronome calculates the average BPM and sets it for you. Tap tempo is essential for learning covers: you tap along with the original recording, get its exact BPM, then practice with the metronome at that tempo.
Slow-fast-slow: practice a difficult passage at 60% tempo until perfect, then 80%, then 100%, then 110%, then back to 100%. The 110% pass makes 100% feel comfortable. Accent shifting: practice scales or arpeggios with the metronome accent on different beats. If you're playing eighth notes, accent every fourth note instead of every second. This breaks habitual stress patterns and improves rhythmic flexibility. Subdivisions: practice playing eighth notes with the metronome clicking only on beats 1 and 3. This forces you to internalize the offbeats rather than relying on the click.
Speeding up to match: when you feel rushed, you often play even faster, dragging the metronome with you in your head. Stop, restart, and lock to the click: don't let it lock to you. Ignoring weak beats: many players hit beat 1 hard then drift on beats 2-4. Practice with the accent on weak beats to fix this. Never practicing slowly: the temptation to play everything at full speed limits your accuracy. Slow practice is where real improvement happens.
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